"Then, of course, there are those sad occasions when a poet or a writer has not grown, and one has to let them go because they're just not making headway. But we have a very clear personal relationship with the authors."
"When you are joyous, look deep into your heart and you shall find it is only that which has given you sorrow that is giving you joy. When you are sorrowful look again in your heart, and you shall see that in truth you are weeping for that which has been your delight."James Laughlin on Khalil Gibran
"Every man has his secret sorrows which the world knows not and often times we call a man cold when he is only sad."James Laughlin on Henry Wadsworth Longfellow
"I seldom think about my limitations, and they never make me sad. Perhaps there is just a touch of yearning at times but it is vague, like a breeze among flowers."James Laughlin on Helen Keller
"If my world were to cave in tomorrow, I would look back on all the pleasures, excitements and worthwhilenesses I have been lucky enough to have had. Not the sadness, not my miscarriages or my father leaving home, but the joy of everything else. It will have been enough."James Laughlin on Audrey Hepburn
"Sadness is but a wall between two gardens."James Laughlin on Khalil Gibran
"Concrete poets continue to turn out beautiful things, but to me they're more visual than oral, and they almost really belong on the wall rather than in a book. I haven't the least idea of where poetry is going."
"I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago."
"I think that is where poetry reading becomes such an individual thing. I mean I have friend who like poets who just don't say anything to me at all, I mean they seem to me rather ordinary and pedestrian."
"I think there's no excuse for the American poetry reader not knowing a good deal about what is going on in the rest of the world."
"I think we will always have the impulse towards visual poetry with us, and I wouldn't agree with Bly that it's a bad thing. It depends on the ability of the individual poet to do it well, and to make a shape which is interesting enough to hold your attention."
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